MILLIN Aubin-Louis Antiquités Nationales

VENDU

Paris, DROUHIN, 1790

4to (255 x 198 mm). Vol 1 :1 title leaf, 35pp., 13pp., 172pp., 69pp., 82pp., 8pp., 8pp., XXIV pp. 53 plates. 

Vol 2 : 1 title leaf, 3pp., 4pp., 79pp., 18pp., 35pp., 23pp., 28pp., 23pp., 8pp., 8pp., 6pp., 46pp., 16pp., 8pp., 26pp., 6pp., XXVIII pp. 51 plates (including 1 additional plate not listed in the table of contents. ).

Vol 3 : 1 title leaf, 7pp., 80pp., 46pp., 12pp., 28pp., 60pp., 26pp., 22pp., 37pp., 32pp., 4pp., 30pp., 10pp., XXXIV pp. 46 plates (Including two extra plates compared with those listed in the table of contents. Numbering errors in some of the plates).

Vol 4 : 1 title leaf, 24pp., 10pp., 94pp., 2pp., 18pp., 22pp., 14pp., 16pp., 20pp., 48pp., 20pp., 7pp., 28pp., 20pp., XXIV pp. 55 plates (including 1 additional plate not listed in the table of contents, 1 missing plate).

Vol 5 : 1 title leaf, 6pp., 68pp., 10 pp., 82pp., 6pp., 4pp., 3pp., 2pp., 16pp., 120pp., 63pp., XXIX pp., 1 errata leaf. 45 (including 2 extra planks compared with the table).

Contemorary root-bound sheepskin, smooth, decorated spine, title label in red long-grain morocco, volume number label in green morocco, marbled edges.

Catégories:
350,00 

1 in stock

Brunet III, 1723, Choay, F. (2019). Aubin-Louis Millin (1759-1818) Le Patrimoine en questions : Anthologie pour un combat (p. 77-83). Le Seuil. 

The first edition of this work, which is of great documentary value regarding French monuments, is lavishly illustrated with 250 separate copper-engraved plates.

In response to the ‘nationalisation’ of ‘national assets’ by decree from 1789 onwards – which led to the dispersal, sale, alteration or destruction of numerous buildings, tombs, funerary monuments, sculptures and works of art – Aubin-Louis Millin undertook the task of cataloguing the monuments featured in this volume. In it, he brings together descriptions of numerous historic monuments through text and images, a task which required the collaboration of many engravers such as Carpentier, Blanchard, Lemercier and Desmaison.

Thus, published during the revolutionary period, Millin’s work reflects a desire to conserve and preserve the memory of the nation’s cultural heritage. The five volumes consequently comprise a substantial collection of descriptions and engravings devoted to royal tombs, ecclesiastical monuments, inscriptions, sculptures, stained-glass windows and architectural features from abbeys, churches, monasteries and castles that had become the property of the Nation, some of which have since disappeared, notably: the Bastille, the Convents of the Celestines, the Jacobins and the Feuillants, the Porte Saint-Bernard and the Church of the Holy Sepulchre.

Presented to the National Assembly, his work played a major role in fostering an awareness of cultural heritage.

The interior is very clean; the bindings are worn, with scuffing and chipping, wormholes, and areas where the leather is missing; one plate listed in the table of contents is missing.

Provenance: Maire Libraire (stamp on the front half-cover).

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