{"id":90425,"date":"2026-05-07T17:22:50","date_gmt":"2026-05-07T15:22:50","guid":{"rendered":"https:\/\/www.librairieclavreuil.com\/nicolas-de-ausmo-supplementum-summae-pisanellae-et-astesanus-de-ast-canones-poenitentiales\/"},"modified":"2026-05-07T17:22:55","modified_gmt":"2026-05-07T15:22:55","slug":"nicolas-de-ausmo-supplementum-summae-pisanellae-et-astesanus-de-ast-canones-poenitentiales","status":"publish","type":"product","link":"https:\/\/www.librairieclavreuil.com\/en\/nicolas-de-ausmo-supplementum-summae-pisanellae-et-astesanus-de-ast-canones-poenitentiales\/","title":{"rendered":"NICOLAS DE AUSMO Supplementum Summae Pisanellae. [Et:] ASTESANUS..."},"content":{"rendered":"<p style=\"text-align:justify\"><span style=\"background-color:white\"><i>HC *2157; BMC II 416; CIBN N-37; Bod-inc N-027; BSB-Ink N-74; Goff N-63.<\/i><\/span><\/p>\n<p style=\"text-align:justify\"><span style=\"background-color:white\"><span style=\"font-variant:small-caps\">A beautifully printed incunable by the famous German printer Anton Koberger preserved in a large and handsome&nbsp;<\/span><i><span style=\"font-variant:small-caps\">mudejar&nbsp;<\/span><\/i><span style=\"font-variant:small-caps\">binding, possibly bound at Barcelona, from the Abbey collection.&nbsp;<\/span><\/span> <span style=\"background-color:white\"><span style=\"font-variant:small-caps\">From Christian Spain, in the 14-16<sup>th<\/sup>&nbsp;centuries, as part of the heritage of al-Andalus, came the so-called \u201cMudejar\u201d binding style \u2013 many with Gothic wooden boards and strong Islamic influences in the decoration.<\/span><\/span><\/p>\n<p style=\"text-align:justify\"><span style=\"background-color:white\">Printed in two columns in Gothic characters with 52 lines per page.<\/span><\/p>\n<p style=\"text-align:justify\"><span style=\"background-color:white\">Nicolaus de Ausmo (or Nicolas d&#8217;Osimo), theologian and monk of the Order of Friars Minor, lived in the first half of the 15th century. He revised the <i>Summa de casibus conscientiae<\/i>, a casuistic summary composed in the 1330s by Bartholomew de Sancto Concordia, known as Pisanella, and first published it in 1473 under the title <i>Supplementum summae Pisanellae<\/i>.<\/span><\/p>\n<p style=\"text-align:justify\"><span style=\"background-color:white\">Hans Koberger directed a branch of his uncle&#8217;s business in Barcelona, and the present volume is likely to be a witness to trade in Koberger books to the Iberian Peninsula, decorated and bound once there.<\/span><\/p>\n<p style=\"text-align:justify\"><span style=\"background-color:white\">\u201cAt the end of the fifteenth century, the presence of booksellers and printers shows the entrance of Barcelona book professionals into the international trade networks. Between 1474 and 1500, at least nine foreign booksellers worked as representatives of foreign libraries (the German Hans Koberger and the French Nicol\u00e1s Mazan) or as dealers of their own funds (the Castilian Mart\u00edn de Marquina, Sebasti\u00e1n de Escocia, Adri\u00e1n de Flandes the Germans Ciriaco de Basilea and Enrique Triber, the French Ram\u00f3n Isach and Carmini Ferrer). Although export sales to France were made to a lesser extent, shipments of books to Palermo, Naples, Valencia or Majorca were common. The relationship between this Mediterranean city and Barcelona was direct. Valencian booksellers such as Gaspar Trinxer, Joan Huguet or Miquel Conrat had previously worked in the Catalan capital. In this network of exchanges between distant geographic areas and markets, the attraction exerted by the Italian book market, both in terms of consumption and production, stood out in the late fifteenth <\/span>and early decades of the sixteenth century.\u201d Manuel Pe\u00f1a D\u00ecaz. <i>Barcelona: Printers, booksellers and local markets in the sixteenth century<\/i>.<\/p>\n<p style=\"text-align:justify\">One of the most interesting aspects of the Middle Ages in the Iberian Peninsula was, undoubtedly, the coexistence of the three cultures of the Book. Between 711 and 1609, Jews, Muslims and Christians shared a common space. Cohabitation generated multiple conflicts, but also unique cultural elements, among which Mud\u00e9jar art is the most renowned. Mud\u00e9jar craftsmen found on book covers an ideal medium for the display of their vast repertory of geometries, intricate interlaces and chiaroscuros. Moreover, they knew how to adapt to the new demands of the printed book, replacing materials and perfecting techniques, therefore smoothing the way for the transition towards the modern art of bookbinding. <span style=\"background-color:white\">The name derives from the Mud\u00e9jares, or Moors, who remained in Spain during and after the Christian reconquest of that country.&nbsp;<\/span><\/p>\n<p style=\"text-align:justify\"><span style=\"background-color:white\">&#8220;With Islamic decorative schemes: elaborate geometric interlace bands against a background entirely filled with hundreds of repetitions of small knotwork or cablework tools.&#8221; Paul Needham.&nbsp;<\/span><\/p>\n<p style=\"text-align:justify\"><span style=\"background-color:white\">A magnificent book with an important bibliophilic provenance.<\/span><\/p>\n<p style=\"text-align:justify\"><span style=\"background-color:white\"><i>Provenance<\/i>: a few contemporary annotations &#8212; [H.P. Kraus (collation note, 1960)] \u2013 John Roland Abbey (1894-1969; sold Sotheby\u2019s, 21 June 1967, lot 2055; label on box).<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p style=\"text-align:justify\">Royal folio (409 x 282mm). With the first blank leaf, fine opening initial in red and blue with scrolling penwork decoration, other initials and paragraph marks in red or blue (small marginal wormholes in first quire, small wax stains in 3 leaves). Contemporary Spanish blindstamped dark red goatskin over wooden boards, panelled sides with 6-pointed star at centre, heart and X tools, interlace frame (missing clasps, repairs at spine and corners); early 20th-century folding box.&nbsp;<\/p>\n","protected":false},"featured_media":90422,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[542],"product_tag":[1269,1267,1261],"class_list":{"0":"post-90425","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-incunabula","7":"product_tag-antique","8":"product_tag-binding","9":"product_tag-incunabula","10":"pa_auteur-nicolas-de-ausmo-2","11":"pa_type-de-livre-incunabula","13":"first","14":"instock","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"acf":{"artist":"NICOLAS DE AUSMO","chapeau":"A magnificent large folio Mudejar binding \r\nfrom the Abbey collection","adresse_bibliographique":"Nuremberg, Anton Koberger, 1478","book_type":"Incunabula","provenance":"","afficher_prix":"oui"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>NICOLAS DE AUSMO  Supplementum Summae Pisanellae. 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