{"id":84215,"date":"2025-03-07T15:58:43","date_gmt":"2025-03-07T14:58:43","guid":{"rendered":"https:\/\/www.librairieclavreuil.com\/ferriol-charles-recueil-de-cent-estampes-representant-differentes-nations-du-levant-tirees-sur-les-tableaux-peints-dapres-nature-en-1707-et-1708-et-gravees-en-1712-et-1713-par-les-soins-de\/"},"modified":"2026-02-24T16:08:06","modified_gmt":"2026-02-24T15:08:06","slug":"ferriol-charles-recueil-de-cent-estampes-representant-differentes-nations-du-levant-tirees-sur-les-tableaux-peints-dapres-nature-en-1707-et-1708-et-gravees-en-1712-et-1713-par-les-soins-de","status":"publish","type":"product","link":"https:\/\/www.librairieclavreuil.com\/en\/ferriol-charles-recueil-de-cent-estampes-representant-differentes-nations-du-levant-tirees-sur-les-tableaux-peints-dapres-nature-en-1707-et-1708-et-gravees-en-1712-et-1713-par-les-soins-de\/","title":{"rendered":"FERRIOL Charles Recueil de cent estampes representant diff\u00e9rentes..."},"content":{"rendered":"

Atabey, 429; Blackmer, 591; Colas, 391-392; Brunet, III, 947-948; Cohen-de Ricci, 391-392; Lipperheide, 1413-1414 & Lb 26-Lb 27 (copy with 6 added plates not part of the editio) ; Ko\u00e7 collection, 105.<\/i><\/p>\n

First edition.<\/span><\/p>\n

The Recueil de cent estampes repr\u00e9sentent diff\u00e9rentes nations du Levant<\/i>, which appeared in France in 1714 a few years after the return of the ambassador Charles de Ferriol (1652-1722) on a mission to Constantinople from 1699 to 1711, is an evocative testimony to the new enthusiasm for the Orient in the 18th century. The prints it contains were produced by G\u00e9rard Scotin (1671-1716) and eight other engravers in 1712-1713, based on paintings commissioned in 1707 by Ferriol from a painter in his retinue, the Valencian Jean-Baptiste Van Mour (1671-1737).<\/p>\n

Magnificent copy, coloured, illuminated and heightened at the time with mica.<\/span><\/p>\n

One of the extremely rare copies prepared at the time for a clientele of discerning bibliophiles, as the author explains in the preface: \u00ab Comme il s\u2019est trouv\u00e9 plusieurs personnes qui, non contents de conno\u00eetre par les Estampes de ce recueil la v\u00e9ritable forme des Habits du Levant, ont souhait\u00e9 en conno\u00eetre aussi la couleur : on a fait enluminer avec soin, & avec le plus d\u2019intelligence qu\u2019il a \u00e9t\u00e9 possible, plusieurs Recueils de ces estampes d\u2019apr\u00e8s les Tableaux Originaux. Ainsi ceux qui voudront avoir ces estampes enlumin\u00e9es, les trouveront aussi chez Monsieur Le Hay, rue de Grenelle Fauxbourg Saint Germain, proche de la rue de la Chaise<\/i> \u00bb.<\/p>\n

Published in two parts, the first contains 100 plates, the last of which – Mariage Turc<\/i> – is exceptionally presented here before the letter (there is no numbering, nor the name of Le Haye, nor the mention of privilege usually found in the bottom right-hand corner). The second part was completed by two other double-page plates, notably the representation of the Dervichs Tourneurs<\/i> and the Enterrement Turc.<\/i><\/p>\n

In addition to the 102 costume plates, the work also contains a plate of musical scores with the Air sur lequel tournent les Dervichs de Pera<\/i>. In the disclaimer we are told that the music was \u00ab not\u00e9e par le sieur Chabert tr\u00e8s-s\u00e7avant en musique, qui \u00e9toit avec M. de Ferriol ; et qui prenoit souvent plaisir \u00e0 le faire jouer par les Dervichs musiciens <\/i>\u00bb.<\/p>\n

\u201cThe true first edition of both parts. The Colombat issue of part 2, dated 1715, confusingly precedes the edition dated 1714 and issued under the imprint of Cars and\/or Basan\u2026 This splendid production has a number of notable features. On is the lavish quality of the illustrations: many are heightened with gold, and flecks of mica have been used to represent jewelry. Moreover it contains what may the only wholly original representation of Turkish costumes since Nicolay; in any case, these images were at once enormously influential\u201d (Ko\u00e7).<\/p>\n

This \u2018Recueil de cent estampes<\/i>\u2019 “repr\u00e9sentant diff\u00e9rentes nations du Levant, qui para\u00eet en France en 1714 quelques ann\u00e9es apr\u00e8s le retour de l\u2019ambassadeur Charles de Ferriol (1652-1722) en mission \u00e0 Constantinople de 1699 \u00e0 1711, est un t\u00e9moignage \u00e9vocateur du nouvel engouement au XVIIIe si\u00e8cle pour l\u2019Orient. Les cent estampes qu\u2019il contient ont \u00e9t\u00e9 r\u00e9alis\u00e9es par G\u00e9rard Scotin (1671-1716) et huit autres graveurs en 1712-1713, \u00e0 partir de tableaux command\u00e9s en 1707 par Ferriol \u00e0 un peintre de sa suite, le valenciennois Jean-Baptiste Van Mour (1671-1737). L\u2019album, commun\u00e9ment appel\u00e9 recueil Ferriol<\/i>, para\u00eet \u00e0 Paris chez Jacques Le Hay et Gaspard Duchange en 1714. Dans ce livre, une attention particuli\u00e8re est accord\u00e9e \u00e0 la repr\u00e9sentation des costumes, pour permettre au \u00ab lecteur savant de trouver dans cette vari\u00e9t\u00e9 d\u2019ajustements, les diff\u00e9rents caract\u00e8res des esprits, sachant que, de tout temps, les Turcs ont distingu\u00e9 les \u00e9tats et dignit\u00e9s par la diff\u00e9rence des habits, mais plus particuli\u00e8rement par celle des turbans et autres ornements de la t\u00eate. De fait, le recueil Ferriol est le premier album grav\u00e9 qui d\u00e9crit avec soin la hi\u00e9rarchie de la soci\u00e9t\u00e9 ottomane, en montrant successivement les costumes des officiers du s\u00e9rail affect\u00e9s au service du sultan, les activit\u00e9s quotidiennes des femmes dans l\u2019intimit\u00e9 du harem, les codes vestimentaires impos\u00e9s aux nombreuses minorit\u00e9s soumises \u00e0 l\u2019autorit\u00e9 imp\u00e9riale. Les auteurs du recueil sont \u00e9galement les premiers \u00e0 revendiquer la sup\u00e9riorit\u00e9 de l\u2019image sur le texte pour rendre compte des observations r\u00e9alis\u00e9es par les voyageurs en Orient. (see  : “Le Recueil Ferriol (1714) et la mode des turqueries?” by Jeff Moronvalle. Universit\u00e9 de Picardie Jules Verne).<\/p>\n

“The eccentric ambassador Charles, marquis de Ferriol (he had provoked a diplomatic incident by his insistence on wearing a sword for his first audience with the Sultan, whereupon he was denied entrance, and never returned to the Palace), commissioned Jean-Baptiste Van Mour or Vanmour (Valenciennes1671 – Istanbul 1737) to paint 100 portraits of Turkish officials and other figures, which as published here form the basis of all later costume books and plates, including the handmade ones for the tourist trade” (Ko\u00e7).<\/p>\n

Last plate with small offsetting at center fold and with two restored tears.<\/p>\n

A magnificent, illuminated copy, with one plate before lettering and bound in contemporary green Morocco. It contains a total of 29 plates embellished with mica (<\/span>1, 2, 3, 4, 5, 7, 15, 27, 29, 44, 45, 48, 50, 51, 52, 54, 55, 64, 68, 69, 77, 79, 81, 86, 87, 91, 96, 97, 99).<\/p>\n","protected":false},"excerpt":{"rendered":"

Large folio (482 x 317 mm) 1 engraved and illuminated title, 1 letterpress title, 2 nn.ll. (introduction to the reader), 26 pp. of explanatory text for plates, 1 engraved plate of musical scores, 102 engraved plates (numbered 1 to 99, and 3 double page plates, the latter not numbered). Contemporary green morocco, triple gilt filet on covers, spine with raised bands, compartments gilt with floral tools, gilt turn-ins, gilt edges (some occasional old restorations to spine and corners).<\/p>\n","protected":false},"featured_media":84182,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[552],"product_tag":[1267,1450,1402],"class_list":{"0":"post-84215","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-travel","7":"product_tag-binding","8":"product_tag-first-edition","9":"product_tag-turkey","10":"pa_auteur-ferriol-charles-2","11":"pa_type-de-livre-printed-book","13":"first","14":"instock","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"acf":{"artist":" Charles FERRIOL","chapeau":"Magnificent copy, with the plates coloured, heightened with silver and with gold, \r\nand with flecks of Mica Bound in contemporary green Morocco","adresse_bibliographique":"Paris, Le Hay, Duchange & Collombat, 1714-1715","book_type":"Printed book","provenance":"","afficher_prix":""},"yoast_head":"\nFERRIOL Charles Recueil de cent estampes representant diff\u00e9rentes nations du Levant tir\u00e9es sur les tableaux peints d'apr\u00e8s nature en 1707 et 1708\u2026 Et grav\u00e9es en 1712 et 1713 par les soins de M. Le Hay.- Explication des cent estampes ... avec de nouvelles estampes des c\u00e9r\u00e9monies turques. - Libairie Clavreuil<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.librairieclavreuil.com\/en\/ferriol-charles-recueil-de-cent-estampes-representant-differentes-nations-du-levant-tirees-sur-les-tableaux-peints-dapres-nature-en-1707-et-1708-et-gravees-en-1712-et-1713-par-les-soins-de\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FERRIOL Charles Recueil de cent estampes representant diff\u00e9rentes nations du Levant tir\u00e9es sur les tableaux peints d'apr\u00e8s nature en 1707 et 1708\u2026 Et grav\u00e9es en 1712 et 1713 par les soins de M. 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