{"id":78149,"date":"2024-06-11T17:10:12","date_gmt":"2024-06-11T15:10:12","guid":{"rendered":"https:\/\/www.librairieclavreuil.com\/anonyme-sonnets-sur-la-passion-de-jesus-et-autres-poemes\/"},"modified":"2025-10-22T18:42:09","modified_gmt":"2025-10-22T16:42:09","slug":"anonyme-sonnets-sur-la-passion-de-jesus-et-autres-poemes","status":"publish","type":"product","link":"https:\/\/www.librairieclavreuil.com\/en\/anonyme-sonnets-sur-la-passion-de-jesus-et-autres-poemes\/","title":{"rendered":"ANONYME Sonnets sur la passion de Jesus et..."},"content":{"rendered":"<p style=\"text-align:justify\"><span style=\"font-variant:small-caps\">An exceptional devotional manuscript on vellum illustrated with 78 extraordinary illuminated miniatures illustrating figurative poems forming calligrams. This manuscript was likely made for presentation to an important patron in connection with the Celestines de Paris.<\/span><\/p>\n<p style=\"text-align:justify\">The present book of religious poetry is strongly linked to another manuscript, which hails from the Library of the Celestines of Paris: Paris, Biblioth\u00e8que de l\u2019Arsenal, ms. 5120. That manuscript is longer and contains elaborate Sonnets on the Life as well as the Passion of Christ. The main part of the present manuscript may represent an excerpted version of that text, focusing entirely on the Passion. In close comparison of the sonnets in both manuscripts, one finds that the same themes are addressed, but that the poet shows his force in turning the poems differently, with sometimes only a few lines shared in common.&nbsp;<\/p>\n<p style=\"text-align:justify\">Illumination<\/p>\n<p style=\"text-align:justify\">Painted at the extreme end of the period in which books were written and illuminated by hand, this manuscript is a revelation for its high quality of artwork. An illuminated manuscript in the early 17th century was rare indeed and was likely to be seen as an extravagant curiosity.&nbsp;<\/p>\n<p style=\"text-align:justify\">The sonnets of this manuscript are beautifully and luxuriously illuminated in gouache with gold and silver highlighting, seamlessly integrated into the text in many places, and augmented with cleverly employed text inscriptions. The iconography here is very strongly linked to that found in Arsenal ms. 5120. That manuscript contains more elaborate scenes painting in grisaille, whereas this book seems to pull figures from those scenes to draw a particularly emotional focus. The addition of illumination here may indicate the manuscript was a presentation book for a wealthy patron of the Celestines.&nbsp;<\/p>\n<p style=\"text-align:justify\">The main artist\u2019s style is soundly in the religious emotionality of the Baroque period, quite effectively evoking the pain and suffering of Christ along his final path to his Crucifixion and Resurrection. This artist uses softer, two-dimensional folds and shadows and also successfully reproduces more complex anatomical foreshortenings. The title page and at least 43 watercolours (including the 8 large ones) can be attributed to this artist.&nbsp;<\/p>\n<p style=\"text-align:justify\">A smaller proportion of the book is attributable to an artist who depicts folds more sharply, works in greater detail overall, but tends to avoid complicated anatomical foreshortening. At least 12 illuminations can be attributed to this artist.&nbsp;<\/p>\n<p style=\"text-align:justify\">Particularly noteworthy is the recurring combination of image and text in the form of figure poems in the paintings in the text. Here, individual letters within the painted motif form new words and sentences. These inscriptions frequently relate to the titles of the plates as found in the Arsenal manuscript.<\/p>\n<p style=\"text-align:justify\">Text :<\/p>\n<p>f. 3 \u2013 Illustrated title to<i> Sonnets sur la Passion de J\u00e9sus<\/i> (apparently stitched here after binding).<br \/>ff. 3v-7 \u2013 blanks (3 with framing line)<br \/>ff. 7v-10 \u2013 Three sonnets to Father, Son, and Holy Spirit<br \/>ff. 10v-11 \u2013 blanks<br \/>ff. 12-79 \u2013 <i>Sonnets sur la Passion de J\u00e9sus. <\/i>Concludes with \u201cLes sonnetz de la Passion finissent icy\u201d (fol. 79).<br \/>ff. 79v-81 \u2013 blanks (one with framing line)<br \/>ff. 81v-85 \u2013 4 sonnets on the four last things of eschatology in an unusual order: Paradise, Purgatory, Hell, and Death. Three of the text passages on mounted laid paper on the verso.<br \/>f. 85v \u2013 blank<br \/>ff. 86-102 \u2013 &nbsp; 32 sonnets in four-line verses on various religious themes.&nbsp;<br \/>f. 102v \u2013blank<br \/>ff. 103-106v \u2013 <i>Sur la mort du V. P\u00e8re V. de Lessau C\u00e9lestin. <\/i>14 stanzas and 1 additional stanza on the same subject. &nbsp;Vincent de Lessau became a brother of the Celestines in Amiens in 1582 but withdrew from the order years later to devote himself to the study of mathematics. He died in 1626 and the present text is probably the ode written by his brother Guillaume de Lessau.<br \/>ff. 107-112 \u2013<i> Cantique sur la naissance de Jesus. <\/i>26 six-line stanzas.<br \/>ff. 112v-114 \u2013 <i>Meditation sur le Crucifix<\/i>. 10 six-line stanzas.<br \/>ff. 114v-118 \u2013 <i>Sur le trespas de Monsieur de Sainct-Innocent gentilhomme Savoysien et de sa femme qui morut de regret six jours aprez sans avoir jamais peu parler tout ce temps.<\/i> Ode to Antoine d\u2019Orli\u00e9 (eldest Savoyard nobleman, vicar of Cuneo 1467-1469, governor of Nice 1469-1476, advisor to Yolande of Savoy, killed in the Battle of Murten 1476) and his wife.<\/p>\n<p>Provenance<br \/>1.&nbsp;&nbsp;&nbsp;&nbsp;Thomas Thorpe (1791-1851); his sale, 1811, Leblanc, Pierre-Francois-Jean Baptiste, Livres pr\u00e9cieux, manuscrits et imprim\u00e9s sur peau-v\u00e9lin, du cabinet de M. **, lot 30;&nbsp;<br \/>2.&nbsp;&nbsp;&nbsp; Paris, Auguste Chardin, (entry on the first flyleaf), his sale, De Bure, 9 Feb.1824, lot 1629;&nbsp;<br \/>3.&nbsp;&nbsp;&nbsp;&nbsp;Cheltenham, Sir Thomas Phillipps (1792-1872; his stamp with sign. (MS) 2760 on the first blank sheet); his sale Sotheby\u2019s, 30 Nov. 1971, lot 528;&nbsp;<br \/>4.&nbsp;&nbsp;&nbsp;&nbsp;Sale, Sotheby\u2019s 10. Dec. 1980.<br \/>5.&nbsp;&nbsp;&nbsp;&nbsp;Bassenge, auction 54 (3 May 1990), B\u00fccher vor 1600, lot 1566;&nbsp;<br \/>6.&nbsp;&nbsp;&nbsp;&nbsp;Private collection, Switzerland.<\/p>\n","protected":false},"excerpt":{"rendered":"<p style=\"text-align:justify\">Oblong 4to (196 x 230 mm). 118 leaves. Collation: &nbsp;iii + 1-10<sup>4<\/sup>, 11<sup>5<\/sup>, 12-28<sup>4<\/sup>, 29<sup>2<\/sup>, 30<sup>3<\/sup> + iii. Plates numbered in dark brown ink in Arabic numbers. \u2013 Text justification: c. 14 x 17.7 cm. 16-18 lines, 1 column, ruled with thin dark brown, rectangular frames. Written in dark brown ink in a fine French chancery italic script with calligraphic flourishes. \u2013 Illuminated in gauche and shell gold and silver, with touches of tempera in at least two hands. With <strong>78 miniatures<\/strong>: title, 7 circular full-page miniatures and 70 large miniatures on text pages. \u2013 Minor tanning, some, mainly marginal thumbing, few faint brownish stains. Minor browning to margins of originally tipped-in paper sheets to verso of f.76-78. Little blurring to miniature f. 7. The mounted laid paper (pp. 76-78) with faint, slightly permeating browning at the glued areas. Richly gilt contemporary French pointill\u00e9-binding of dark red morocco, gilt edges; some rubbing to extremities, ties lacking, former library label on spine. In modern elaborate folding hardwood case, partly with leather cover, with gold embossed cover title, in matching slipcase with gold embossed spine label (<i>Renaud Vernier<\/i>).&nbsp;<\/p>\n","protected":false},"featured_media":78134,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[546],"product_tag":[1405],"class_list":{"0":"post-78149","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-manuscript","7":"product_tag-manuscript","8":"pa_auteur-anonyme-2","9":"pa_type-de-livre-manuscript","11":"first","12":"instock","13":"shipping-taxable","14":"purchasable","15":"product-type-simple"},"acf":{"artist":"ANONYME","chapeau":"","adresse_bibliographique":"France, Paris (?), c.1630.","book_type":"Manuscript","provenance":"","afficher_prix":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ANONYME  Sonnets sur la passion de Jesus et autres po\u00e8mes - Libairie Clavreuil<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.librairieclavreuil.com\/en\/anonyme-sonnets-sur-la-passion-de-jesus-et-autres-poemes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ANONYME  Sonnets sur la passion de Jesus et autres po\u00e8mes - Libairie Clavreuil\" \/>\n<meta property=\"og:description\" content=\"Oblong 4to (196 x 230 mm). 118 leaves. Collation: &nbsp;iii + 1-104, 115, 12-284, 292, 303 + iii. Plates numbered in dark brown ink in Arabic numbers. \u2013 Text justification: c. 14 x 17.7 cm. 16-18 lines, 1 column, ruled with thin dark brown, rectangular frames. Written in dark brown ink in a fine French chancery italic script with calligraphic flourishes. \u2013 Illuminated in gauche and shell gold and silver, with touches of tempera in at least two hands. With 78 miniatures: title, 7 circular full-page miniatures and 70 large miniatures on text pages. \u2013 Minor tanning, some, mainly marginal thumbing, few faint brownish stains. Minor browning to margins of originally tipped-in paper sheets to verso of f.76-78. Little blurring to miniature f. 7. The mounted laid paper (pp. 76-78) with faint, slightly permeating browning at the glued areas. Richly gilt contemporary French pointill\u00e9-binding of dark red morocco, gilt edges; some rubbing to extremities, ties lacking, former library label on spine. In modern elaborate folding hardwood case, partly with leather cover, with gold embossed cover title, in matching slipcase with gold embossed spine label (Renaud Vernier).&nbsp;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.librairieclavreuil.com\/en\/anonyme-sonnets-sur-la-passion-de-jesus-et-autres-poemes\/\" \/>\n<meta property=\"og:site_name\" content=\"Libairie Clavreuil\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-22T16:42:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.librairieclavreuil.com\/wp-content\/uploads\/2024\/06\/anonyme-sonnets-sur-la-passion-de-jesus-et-autres-poemes-9521-66461ddff1ae2-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.librairieclavreuil.com\/en\/anonyme-sonnets-sur-la-passion-de-jesus-et-autres-poemes\/\",\"url\":\"https:\/\/www.librairieclavreuil.com\/en\/anonyme-sonnets-sur-la-passion-de-jesus-et-autres-poemes\/\",\"name\":\"ANONYME Sonnets sur la passion de Jesus et autres po\u00e8mes - 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Collation: &nbsp;iii + 1-104, 115, 12-284, 292, 303 + iii. Plates numbered in dark brown ink in Arabic numbers. \u2013 Text justification: c. 14 x 17.7 cm. 16-18 lines, 1 column, ruled with thin dark brown, rectangular frames. Written in dark brown ink in a fine French chancery italic script with calligraphic flourishes. \u2013 Illuminated in gauche and shell gold and silver, with touches of tempera in at least two hands. With 78 miniatures: title, 7 circular full-page miniatures and 70 large miniatures on text pages. \u2013 Minor tanning, some, mainly marginal thumbing, few faint brownish stains. Minor browning to margins of originally tipped-in paper sheets to verso of f.76-78. Little blurring to miniature f. 7. The mounted laid paper (pp. 76-78) with faint, slightly permeating browning at the glued areas. Richly gilt contemporary French pointill\u00e9-binding of dark red morocco, gilt edges; some rubbing to extremities, ties lacking, former library label on spine. 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